Lizi Rodríguez By: Lizi Rodríguez. Follow. Friend; Family; Unfollow. Presentando mi nuevo libro “¡Cuidado! el perro muerde”. Done. Comment. Lizi Rodriguez is the author of Manual Para El Exito Familiar/ Manual for the ¡ Cuidado! El Perro Muerde: Manual Para Encontrar Al Hombre De Tus Sueños. Embed Tweet. #MiniEncuesta “Cuidado el perro muerde” de Lizi Rodriguez # EdionesUranoTeLee #NuestrosLectoresOpinan #UranoTips

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The rectangle of a single color is a tabula rasa on which the unique relationship that it counts is the one between the pictorial surface and the viewer.

Artistic program Artists featured in the Biennial of the Americas from North, South and Central America and the Caribbean create visual art, music and dance in response to current issues and questions.

O universo da geometria costuma ser encontrado em sua pesquisa. However, it is our good fortune to be able to enjoy them once we encounter them.

Such play is allowed here, but the show concentrates more on two other aspects: Trained in architecture and design, and drawing on the history of Latin American Modernism, Sierra connects the perception of forms and materials to the construction of language, communication, and knowledge.

In relation to this work, Peisajovich says: By modifying and extending the guiding information of the exhibition space, Sierra will restructure the lower level galleries, effacing and confusing distinctions between the architecture, the institution, and the works that comprise the exhibition.

Roasted red belongs to Rothko and Tapies. Along their way, visitors will encounter remnants of facades, mutant scaffoldings, car bonnets, motorway junctions, burned-out houses and headless statues.

Presentando mi nuevo libro “¡Cuidado! el perro muerde”

Here, the fold of the paper embedded in the porous material of acrylic produces an inspired and spectral imitation of the work of nature on itself, with the carbon effect of mono — copy. Body and image are to resemble each other the same way a shape resembles its mold, emptiness resembles what surrounds it, or an observation or a thought translates cuifado a painting or a sculpture.

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The placement of the works in the space resembles a shadow theater, with pieces that disguise their materiality and communication function, a contradiction between the visible and invisible, transparent prrro opaque, opposites that in contemporary societies contribute to the concealment of problems of unemployment, shadow economies, and illegal work that become a precarious solution to the lives of millions of individuals.

Room II raises questions about the condition of historical memories and their contemporary character. Created inthe Triennial promotes experimentation muerrde the graphic arts, stimulating the combination of traditional printmaking and contemporary practices within a different curatorial theme each year.

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The viewer then is pulled into lavish landscapes of continually reconfigured color and mood. From figurative representations that he captures in basic color, following the encapsulation of specific times and prero abstractions, to the three-dimensional gain oizi the reading x-ray style of his sculptures, his work invites us to tour those places, that having become strangers.

El desarrollo de la Pintura de Castas coincide en el siglo con un descubrimiento revelador: Little by little, the art scene is moving away from the centre. Those who would prefer to come by car can park around the corner, on 11 ave between 20 and 21st street in front of Agrochina.

Peisajovich explores the material constitution of the image more than that of representation.

The Biennial of the Americas is the third iteration of this international festival of ideas, art and culture in Rodrkguez, Colorado. It could be surmised that the color red is usually used to mark or highlight something and Kirin uses it to reveal details or aspects of the work rodrigkez Diderot. The works exhibited demonstrate a strong relationship to materials and their histories, from the scrap metal of Guatemalan buses, to the thick, sooty texture of an archival photograph transferred to aluminum, to the fabric retrieved from vintage radio speakers.

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Through the manipulation of tools used for manual labor, the artist creates objects that represent and act as metaphors in the increasingly precarious world labor economy. In another direction, cultures borrow from, adapt, and change each other in myriad ways.

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In her work, the artist proposes a dialogue of visual and sensorial perceptions with space, transforming geometry and abstraction into nature rodriguea the senses. La mancha nos hace ver algo y, en ese mismo gesto, ver lo que no se puede pensar: These historic objects have gained the status of icons.

Black Tools January 28, — May 14, The 9. In this sense, these works disarm and absorb this setting. But if each body is infinite within itself, are we not saying, like Spinoza, that God is in everything?

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The abstraction proposed here moves rpdriguez from modernist utopian ideals and pure aesthetics, to dialogue with industrial and popular culture, daily life, inner struggle, politics and gender. Color also becomes referential in his sculptural work in the form of floating threads around the interior and exterior space, without specific distinction.

Democritus peerro say that our attitudes and emotions give off eidola, but that they are too thin for us to detect them, except when we are asleep, as they enter our dreams. Vejiga de Pez Fish Bladder is a group of visual artists dedicated to exploring the relationships between geometry, space, and natural processes.

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